is great, but sometimes you need to be protected. Bereginya, using a special vaginal technique, could draw a small amount of water into the uterine cavity. At the same time, the cervix was closed, and the woman could painlessly engage in full-fledged sexual fusion with her beloved. After the ejaculation of the man and the completion of the process, the seed was easily washed out from the inside, which allowed the woman to be in peace of mind.

Ancient Slavic women were craftswomen but for everyone. They have always been famous for their indescribable beauty and softness of soul. The echoes of their innermost knowledge once again confirm that only tireless improvement allows us to be beautiful.

Arab culture

"Rake sharkhi" - this is how the Arabs call the belly dance, unique in its beauty and sexuality. Nature itself gave the woman movements that for many years retained sexual attractiveness, softness, grace and charming roundness of the camp. No wonder one of the most striking spectacles at the court of sheikhs was the dance "Raks Sharhi". A dance that only selected girls could perform for their patron.

But before this solemn moment there was a fierce struggle for the right to be the best.

As you know, the structure of the harems of past centuries consisted of three floors, which were determined by the classification of concubines. Girls who did not surprise with anything or were convicted of serious offenses fell into the lower floor. It is clear that their life was not easy and boring. The middle floor gave the chance to be both upstairs and downstairs. There was no time to be sad here, if you relax, you will be lost. So the girls did not relax, they hoped, strove for love, arranged intrigues for each other.

The top floor - the fragrance of aromas, the rustle of silk, the brilliance of jewelry and the tireless work of self-improvement. Girls were examined in at least 77 subjects, and only the successful ones got a chance to demonstrate their skills to the overlord.

We will not touch on all disciplines, but on those to which our book is devoted.

There were three exams on the art of controlling the muscles of love, which the concubines passed.

Exam 1. The girl sat down on a low bench, inserted a jade testicle into her vagina, to which 14 silk threads were tied. Legs placed shoulder-width apart, hands placed on their knees. The eunuchs (and only those who had the phallus, testicles and tongue removed so that there was no temptation participated in this process) began to take the exam. The mistress, squeezing the testicle with her muscles, had to hold it in herself, while the eunuch tried to pull it out with the help of a silk thread. If the thread broke, the eunuch pulled another. And so on in turn, until all 14 threads break. The process lasted at least an hour, the force to break one thread was 3 kilograms. Agree, impressive!

By local standards, such an exam was considered easy.

Exam 2. Dance "Raks sharkhi". But it wasn't just a dance. On a podium small in size and height, there was a small bowl in which there were 100-150 grams of tinted water. The dancer approached the podium, threw off her clothes, took a bowl and, using a special tube, drew all the liquid into the vaginal cavity. Then, stepping on the podium, she began to dance. In addition to smooth movements, the dance included numerous acrobatic elements, splits, stretching. Their performance was aimed at testing the ability to "stay dry".

Imagine a woman doing acrobatic exercises, and inside her bosom there is more than 100 g of water. And not a drop can be lost, the eunuch checks the tightness of the “vessel” with his palm. If everything is in order, again a whirlwind of dance, and already in a different position, again test for dryness. And so for 40 minutes.

But the main difficulty and even danger lay ahead.

Exam 3. "The Candle of Freedom." On a special bed on his back lay an excited overlord. Kneeling over him, the girl gently sat down on his erect organ. Then the concubine was covered with a cape that protected from hot wax and a lit candle 80 cm long was placed on her head. The concubine had to bring the man to the heights of orgasm only with wave-like movements of the muscles of love, that is, the entire process of excitement and ecstasy was carried out only thanks to the skills of controlling intimate muscles. Naturally, the muscles of her body had to remain motionless, since at the slightest deviation the candle from her head could fall. If a fallen candle burned the owner, the consequences were cruel: the girl could lose her head or be forever exiled to the lower floor, which was considered a much worse punishment.

Is it only for the pleasure of the rulers of those countries where there were harems (be it the countries of the Middle East, China, Thailand, India or others), were the concubines certainly forced to learn such an art? Of course not. The main goal is that unspent sexual energy from such a woman should be transmitted through the energy points of the phallus only with the help of developed muscles of love. When a man's organ is in the body of a woman who knows this art, she, with the help of light wave-like movements of the muscles, as if caressing him, must tune in to the phallus, conveying to him the sensations of desire, feeling, love. In this case, the man, regardless of the duration of the act, does not lose strength. He does not lose his erection, and he can have sex for quite a long time solely due to the infusion of female energy.

But the most important thing for us is that men do not get used to such art. It is on this occasion that the Taoist treatises say: "Every time I encounter It, It is new."

Here is the answer to the question of how emperors, shahs, sultans, even if they were elderly, satisfied several concubines in a row.

Of course, not all oriental beauties achieved such mastery. But the chosen ancient art of oriental dance undoubtedly helped to exercise control over intimate muscles, awaken sexual energy, gave a unique charm, beauty and charm.

Japanese culture

Japanese culture, как и любая другая, столь многогранна, что перечисление всех философско-религиозных путей совершенствования женщины потянет на многотомное издание. And in order not to deviate from the topic of the book, I propose to dwell on the known and unknown episodes of the training and skill of the Japanese geisha.

It turns out that there were two ways to become a geisha. The first is traditional, when training in the okiya (dormitory for female students) began at the age of 6 and ended by the age of 16. Each okiya had its own mother - a mentor, who ran the entire learning process. The emphasis in training, which was undoubtedly complex, multifaceted and honorable, was on the ability to entertain men (communication, songs, dances and much more). If a young geisha demonstrated worthy skills, she would have a dano - a patron husband who generously presented the okiya and the chosen one herself.

The second way is the strict philosophical system of jodo. She existed in closed temples, where teaching was conducted exclusively by men. Sex was categorically excluded. Final training - Geisha "Flaming Chrysanthemum". Such craftsmanship was revered as the highest class.

It was the “Flaming Chrysanthemum” that the poet Bashyo (XVII century) dedicated his enthusiastic message to:

Geisha -
Four flowers in the garden:
Rose,
two hydrangeas,
Red chrysanthemum.
What is its meaning? Red chrysanthemum - lips, two hydrangeas - breasts, rose - genitals.

Geisha "Flaming Chrysanthemum" achieved such skill that she could exude the scent of flowers. For example, the fragrance of roses, to which her intimate zone was tuned. The mistress, if necessary, could fill any room with this fragrance. Her breasts and lips could also exude the fragrance of the appropriate flowers, if the mistress so wished.

So, FU DZU is the path of women's development.

I will give a short excerpt from the Treatise on Flaming Chrysanthemums.

“At night she was awakened by an unexpected jolt. In front of her is a naked young man in a state of intense masculinity. He lies down next to her and starts talking about agriculture. There is no mention of any sex. On his back, chest and legs, she notices tiny hieroglyphs drawn in red ink. This is the focus of erotic arousal. With skillful pressing, you can achieve instant ejaculation or prolonged impotence. This embarrassment, into which the geisha introduced zealous men, is called "Moonlight through a leaky roof."

Thus began another stage of training, which involved the study of male eroticism, the mastery of sexual skills and exercises, which include the “Ripples in the Water” technique that interests us.

"Ripples in the water" - conscious control of intimate muscles.

For example, a craftswoman, holding a small ball with her bosom muscles, could shoot it and hit a tea cup at a distance of three to five meters.

Or to increase the roundness of their charms as wonderfully as the lips of a wide-open mouth are rounded.

The list of tricks and possibilities is impressive. But why so much effort if, according to tradition, the "Flaming Chrysanthemum" remained a virgin all her life?

The answer is simple. Without such art, not a single temple woman could achieve perfection, if only because life energy is constantly leaving her womb. And only partially developed muscles prevent such a loss. Moreover, with the help of trained muscles, the masters of the skill