in the process of finding the answer, were increasingly immersed in the abyss of gloomy fears. And it was from what.

Firstly, they came to the final conclusion that a woman, by virtue of her natural destiny to give birth and bear children, is energetically stronger than a man. And that a man has essentially three ways to fill himself with vital energy.

Or spiritual perfection, which, in general, is the lot of the elect.

Or practice breathing and special physical exercises of yogis, Taoists, warriors all your life, which is not easy, as it requires a lot of time and patience

Or the way of a clear infringement of male pride is to force, convince, ask a woman to share the surplus, which is simpler and easier.

All this greatly upset the elders.

And then, as my mentor said, the higher powers had mercy and came to the aid of the men.

The time has come to be surprised by the already dedicated women themselves, why and why it is created in such a way that a woman tirelessly loses her vitality.

And they found the first answer: "Everything in the world is balanced."

The constant loss of sexual energy from the womb approximately equalizes the potentials of female and male power. All have equal starting positions. Live and be happy. But if a woman wants to achieve more, to enter the world of beautiful and pure love, the path to evolution and improvement is open.

Secondly, it is the methods and devices invented by men for the development of women's muscles of love that are the bough on which they sat, but cut down in order to feel the consequences.

Women appreciated selflessness, tried it and realized: the golden key to men has been found!

Maybe from now on there is an expression: “It is better to do and regret than not to do and regret.”

Why were the ancient sages afraid? Why was this vital technique elevated to a number of sacred ones? Why frantically began to convince everyone of the weakness of women?

There is only one answer: a woman who mastered the art in the field of conscious control of intimate muscles became even more energetically stronger. vital sexual energy it became so much that the woman began to radiate it outward: "And a star burns in her forehead." So, CHARM is a certain frequency of the radiance of the eyes, which reflects the perfect potential of a woman. Every man unconsciously searches all his life for a similar Marya the expert. For the male unfilled potential can be filled only by such a woman. She is that muse, that potency, that power that raises him to the pedestal of luck and love.

In the Disney film about Chip and Dale, there is a funny character - a hamster who, smelling the smell of cheese, completely loses control over himself. Remember: "syrrr" ... - and circles in the distraught eyes. Men behave similarly if luck brings them to the owner of the spell. Of course, they cannot show passion so effectively with their eyes, but even peacocks with their luxurious tails look pale next to men eager to show their best side.

Can you imagine the mood of men when they figured it all out?

It was then that the decision was made to convince the world of women of the opposite: women are weak creatures, dependent on male power. And so that they would not accidentally guess about it themselves, according to local traditions, they were either surrounded by high fences, or wrapped in clothes from head to toe, or limited in their actions by laws, according to which a step towards perfection meant execution.

But you can’t hide an awl in a bag, you can’t fool women in any case, they would have guessed the essence of things, if not on their own, then thanks to the temple women for sure. They showed great zeal in spreading the idea of ​​"weakness". Why care about the truth if it breeds competition? Women, like men, are always fighting for the powers that be. A man needs the brightest and most potential woman. A woman is a worthy and great man. Why share with everyone the secret of your inexhaustible charm, when you can be the one and only?

Time inexorably erases many pages of history. Cities, peoples, ideas are changing. Only the behavior of a woman does not change. Here is a picture from practice.

A modern successful lady comes to the Academy to study. After one or two lessons, in a fit of enthusiasm, she recalls her friends:

“They definitely need to see you at the Academy. You will have everything, she promises.

The next few lessons moderate her ardor and make her think about whether to tell her friends or not. After a while, desire to be the one and only is expressed in the phrase that does not accept objections: "There should be one queen in the company, friends will wait."

Girlfriends, tormented by the question of how she takes men, sooner or later everyone will find out. Outraged by betrayal. They come to study, but over time, in relation to their other girlfriends, they exactly repeat the described scheme.

But let us return to the sacraments of mastery, which, by virtue of the foregoing, in ancient times was strictly guarded and studied in closed women's temples or taught to personally beloved wives and concubines of emperors.

The admiration for the art of the temple priestesses of love was so great that legends about it live on centuries later. Just as a musician who masterfully masters his instrument sends the whole hall into a fantastic flight, so the priestess of love created an enchanting, magical performance of sensations for her partner. A similar technique among Roman, Greek, Egyptian priestesses was called "Playing the Flute". The good news is that this art has not been lost in the labyrinths of history. Yes, and how it could be lost - women will always strive for excellence.

“Priestess Flute” is the name of a multi-chamber simulator developed at our Academy. With its help, modern women are trained to perform miracles again.

In the end, I hope we managed to figure out why in many civilizations among the royal people it was believed that only a woman who had the skills of such an art could claim the role of perfection, and why sometimes even a beautiful woman was treated with coolness, calling her a “lazy doll”.

Dear readers! I believe that the material presented will not seem offensive to you. But if someone disagrees, that's their right. I suggest trying to take a risk and evaluate the experience gained in practice.

Ray Bradbury once said, "Risk is jumping headfirst off a cliff, during which wings grow."

But if the risk is not to your liking and you are too lazy to train, read the latest research conducted by our contemporary Professor G. Eggetsberger “On the influence of the development of intimate muscles on the sexual potential and creativity of the individual.”

If you don't feel like either, keep reading. Subsequently, I accept only words of gratitude.

Chapter 2
INTIMATE MUSCLES IN THE CULTURE OF DIFFERENT PEOPLES
Graceful priestess of the temple of love.

Her breasts are soft, her breasts are white.

But below the belt she has a sword, from which smart men lose their heads.

Although no one will see how they roll into the abyss.

Its power is your lust, where it soars like a bird in the sky.

An excerpt from an ancient treatise
In the culture of different peoples, there are sacred techniques that develop the sexuality of a woman. Let's turn to the wisdom of ancient treatises and explore the intimate practices of various traditions. I propose to start the journey with the ancient Slavic pagan culture.

Old Slavic culture

In those days when the Slavic goddess of love Kupala was revered, the art of copulation (derived from the word "Kupala", copulation - "divine love") was taught by the chosen ones - the wise Slavic Beregini. I did not come across information that Slavic women used any devices in mastery. It was only possible to find out that in the depths of this culture, a sacred female practice was born to meet the appearance of the pagan God Yarilo (Sun) with special “uterine” singing. With these ritual chants, which resemble the cry of a woman at the moment of ecstasy, the main function in the sound-producing process was carried by intimate muscles, which is why the sounds were called uterine. Their inherent strength and range of sound was born from the depths of the female womb, activating the overall energy, magnetism and sexuality. Uterine singing was actively used by midwives and women in childbirth during childbirth. It was believed that these sounds contribute to the painless opening of the birth canal and the harmonious, trauma-free course of childbirth.

It was the technique of uterine singing that the Slavic Beregini used to develop the muscles of love, which they mastered to perfection. In support of this, let me cite two interesting facts.

It is quite obvious that in that ancient time women did not have tampaks, but the so-called critical days, of course, were. How did the wise beauties get out of the situation without hygiene products?

With the onset of menstruation, the mistress so tightly squeezed the outer ring of the vaginal muscles that blood did not seep through it. In this state, she could do business or be on the road for quite some time. But when the opportunity arose to be at a clean, bright stream, she was washed away, thanks to some water, and again pinched her vagina.

Another fact. love relations between a man and a woman often turn into passion. This